Animation &Animation Artifacts &Hubley 04 Sep 2012 06:12 am
Phil Duncan’s Walk Cycle – recap
- Phil Duncan was a mainstay of the Hubley animators in all the time I was there. That was my good fortune. What a learning experience for a young animation student.
You could tell who Hubley’s favorite animators by the frequency in which he doled out sequences to them. Whereas Tissa David or Bill Littlejohn or Barrie Nelson would have been asked to animate entire shorts by themselves, someone like Phil Duncan would get whole sequences to animate. At the same time, John so depended on Phil and trusted what he did.
There were never pencil tests at the Hubley studio. Only one instance of it do I remember, and that was on the Art Babbitt mime scenes from Carousel. As I said once before, I remember John running out to get me asking if I’d like to see animation as good as I’d ever see. We then watched the PT over and over together. Ultimately John took Art’s animation on twos and had me put it on four frame dissolves to get more screen time out of it. A budget was a budget and you had to make the most out of the excellence you had in your hand.
But as I mentioned yesterday, Phil would animate on odd numbers expecting the even numbers to be inbetweened. Most times, John asked me to reexpose the scene on fours and not do the inbetweens. Of course, Phil was aware this would happen and had planned on it.
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Here is a walk cycle (and more) by Phil Duncan from Of Men and Demons, which was nominated for the Oscar in 1969. The full scene includes the three demons walking and then flying up to their cave.
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(Click any image to enlarge to full animation paper view.)
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The rest of the scene breaks out of the walk cycle. I
enlarged the frames to accomodate the remainder of the action.
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On threes at 24FPS
Click left side of the black bar to play.
Right side to watch single frame.
