Bill Peckmann &Comic Art 16 Sep 2011 07:04 am

Toth’s “Wings of Eagles” – 2

The Wings of Eagles was a 1957 Action Adventure film directed by John Ford, starring John Wayne and Maureen O’Hara. Try to get it on Netflix; it’s one of Ford’s classics. Alex Toth was hired by Dell to create the comic version of the film. Bill Peckmann not only saved his copy of the comic but sent a copy to me to post. It’s classic Toth. Part 1 appeared here.

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the End Paper


the Back Cover


As a special treat, Bill Peckmann added these five pages of Doodles by Alex Toth.
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Many thanks to Bill Peckmann for sharing these rare bits with us.

Bill Peckmann &Comic Art &Disney 15 Sep 2011 06:55 am

Luck of the North – Part 3

- We’ve come to the end of the posting of the great Carl Barks story, Luck of the North. Bill Peckmann, has been so kind as to send these scans on to us to post. We’ll finish with the newly recolored version of the story complete with airbrushed backgrounds. However, because of the complaints about this version – particularly in regard to the airbrushed backgrounds – we’re showing some of the other versions of the first of the pages in this section. We’ll start with these originals.

Let’s start with the cover. First, I’ll repost the background I’ve shown in the past. Following this is the newer version done for the Gladstone Giant reprint.


The original comic cover.


Bill Peckman wrote: This is the cover of the Gladstone Giant reprint, Nicely done.


B.P. wrote: With the Part 1 commentary about
original color printing vs. reprint color vs. a black and white print job,
I figured we could open with the first page of Part 3 shown in three versions.
Here’s the B&W page.


This is the original comic book.

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This is the Gladstone Giant reprinted page
followed by the remainder of the story.

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B.P. writes: One of the best reasons for getting the Gladstone reprints was the excellent and knowledgeable running editorial commentary by Geoffrey Blum in each Barks issue.
Only right that it should be included here.
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B.P. writes: Here are the endpaper and back cover gags from the original comic book.

(Sorry about my blue rubber stamping but even as kids we knew that these books were pure golden treasure!)

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You can find the first two parts here: Part 1 & Part 2.

Animation &Animation Artifacts &Hubley &Tissa David 14 Sep 2011 06:51 am

Carousel’s Lovers – recap

This is one of my favorite sequences in the Hubley canon. Animated by Tissa David.
It’s worth a repost: the original appeared here in June, 2009.

- Let’s take a look at the scene in Hubley’s Everybody Rides the Carouselwherein the young lovers have had a spat and try to have a romantic scene despite the fact that neither of them wants to do that.

They’ve argued over the girl having cut her hair without telling the boy. He’s annoyed and she laughs at him. They push on to a frothy conversation. Both put on masks to continue the conversation while the inner characters
are annoyed and have an inner monologue. They get to the point where they can’t take the masks off and end pulling away from each other.

I’ve gathered John Hubley‘s layouts for this sequence. Tissa David animated them. You’ll note that the pencil numbers are a scene breakdown done in Tissa’s handwriting. The very loose drawings were done with a sharpie or pencil. The pencils would have been done while in handing it to Tissa during the conversation. They’re to delineate some point in greater detail for her.

I’ve also pulled some frame grabs so you can see how it was finally rendered. The coloring was done on vellum and shot bottom light. No more than 3 levels were used (including the background.) Tissa, aside from concerning herself with the dramatics of the scene, had to watch that the characters didn’t overlap. More complication for her.


(Click any image to enlarge.)


By the way, this was Meryl Streep’s first screen performance.
Charles Levin, another NY character actor, played the boy.

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Here’s the park bench.
A quick rough copy by me to Tissa of John’s Bg LO.


John’s model of the boy’s head for Tissa.


John Hubley’s models of the Girl’s heads for Tissa.


a rough drawing of the girl by Tissa.

Articles on Animation &Disney &Music 13 Sep 2011 06:39 am

Bambi’s Music – recap

- I first met Ross Care years ago. He had scored the music to one of John Canemaker‘s early short films, The Wizard’s Son. I was impressed, and since I was looking for a composer for the first film of my new company, Byron Blackbear & The Scientific Method, I asked Ross for his help. He did a great job with little time and less money.

It was only a short time later, that I learned that Ross was an animation music historian. Somehow, we worked together in setting up a program for ASIFA East in which the conductor for Bambi, Alexander Steinert, took the stage with Ross to analyze the music for that film. I had a 16mm print of the film, and we watched about half of it. It was one of those memorable ASIFA meetings, that stay with you forever.

A year or two later, Ross had written an extensive article on Bambi’s music for The Quarterly Journal of The Library of Congress, the Spring 1983 edition. I just recently ran into the article on my shelves, and after getting Ross’ permission, I’m posting that article here.


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Article: Copyright © 1983 Ross B. Care

Animation &Disney &Frame Grabs 12 Sep 2011 06:34 am

Giantland

- For the past couple of weeks, Hans Perk at A Film LA has featured the animator drafts for the Disney short, Giantland. I’ve taken the opportunity to pull some frame grabs and label the animator for each particular scene. The original drafts have the film titled at “Mickey and the Giant.”

The film was directed by Burt Gillett and released on 11/25/1933.

The animation was by Les Clark, Cy Young, Johnny Cannon, Dick Huemer, Ham Luske (one scene with Dick W[illiams]), Bill Roberts, Fred Moore, Gerry Geronimi, Gilles Armand “Frenchy” de Trémaudan, Ben Sharpsteen, and Ugo D’Orsy.

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Here’s the YouTube version:

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The Ub Iwerks short, “Jack and the Beanstalk” is interesting in that Castle Films distributed the 8mm & 16mm home movie versions of the short duriing the 50s and 60s. This allowed the Iwerks film to be more familiar to many people today. I actually studied the film frame-by-frame dozens of times when I was a kid. I got to tell Grim Natwick that his was the first animation I ever really studied.

The film had many similarities, but the approach was very different. By this time, the Disney studio was trying to improve themselves. Cartoon fantasy such as buzzing saws, representing sleep, and the tips of shoes opening to reveal smelly toes, would not be part of the Disney approach. There was more realism, hence better acting, in the Disney shorts. Iwerks hung fast to the fantasy, just as the Fleischer films did so into the late 30s.

The Iwerks film was in color (albeit Cinecolor.)


It’s amazing how similar yet very different the Iwerks short,
Jack & the Beanstalk is. The Disney studio seems to have
gone for a more realistic approach, while the Iwerks’ team
delved more into the cartoon fantasy of the animation.

Photos &Steve Fisher 11 Sep 2011 07:37 am

9/11

- I remember that on 9/11 everyone had to be out on the street as long as possible looking toward the empty space in the downtown sky. And no one talked. There was a hushed silence over the city.

All pictures shot by Steve Fisher. The Towers burning
were shot with a disposable camera from a nearby office.

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Commentary 10 Sep 2011 06:51 am

More Rambling

- It’s been a relatively bleak week in New York. The rain won’t stop its gray battering of our skylights, and we hop and skip past the many puddles on the sidewalk. Waiting for a light usually means a splash off the nearest discourteous speeding driver who runs too close to the curb, spattering all those there. After two or three days of it, everything takes on the eerie grey glow.

- On Tuesday morning, Sept. 6th, Jordan Belson died of heart failure at his home in San Francisco. For the uninitiated, Belson was an abstract filmmaker who produced a body of work of over 30 films which sometimes were called, “Cosmic Cinema.” His work was ahead of his time, and he led a number of like-minded non-objective film makers through the 50s and into the 60s. From 1957-1959, Belson was the Visual Director for The Vortex Concerts at San Francisco’s Morrison Planetarium. This series of electronic music concerts accompanied by visual projections allowed him to create visual illusions with multiple projection devices, combining abstract film footage of patterns with planetarium effects. He abandoned traditional animation methods to work with real time projected light in making his Vortex work.

His long shadow remains with us as film still tries to absorb what experimentation and observations he offered us through the medium.

The Center for Visual Music offers a DVD release of Jordan Belson’s Five Essential Films. They also have a biography and filmography of the man’s work.

Earlier this year, Belson signed a statement asking people not to put his films online, as this does not do justice to his work. A sentiment I am fully in agreement with. Regardless, someone has put several of them up on YouTube. Epilogue, a great work, is his last completed film done in 2005.

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John Hubley once told me that an effective rain cycle had two different patterns of rain at slightly different angles to each other. One would be inked in black, the second (behind the black) in gray. It works well, of course.

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- Kathy Rose is still actively making films. She wrote to say that her latest, “The Metaphysical Paintings”, just went up on Vimeo. She also has her own page on Vimeo, here.

She continued to say in that note that she: “Will also have video installations exhibited October 5 & 6 in Motion Pictures 2011 a dance video venue in Philadelphia.”

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Lowell Hess is an extraordinary illustrator whose work has just been collected in a book called The Art of Lowell Hess. You should look out for it. Until then, take a look at this blog (Today’s Inspiration) which gives a good overview of Hess’ life and work.


Thanks to Bill Peckmann for the heads up on the site.

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- There’s an exhibit of Jack Davis’ art running at the University of Georgia’s Hargett Library. “The exhibit features much of Davis’ early work from his days as a student living in Athens. Many of Davis’ subjects from those days provide a rare glimpse into life as an undergrad when campus was dominated by veterans getting their education from the GI Bill.”

The exhibit will continue through November. Anyone living in or passing through Athens, Georgia ought to go see it.

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Darrell Van Citters is back. His blog, Mr. Magoo’s Christmas Carol, has featured many excellent articles about the people who had worked on that Special. Now, after a long hiatus, he has a two part article on Lee Orgel the real man behind the television special. This is an excellent site that offers lots of premium information. Just take a look at this feature on Abe Levitow or this piece on designer Shirley Silvey. There’s a lot to see on this blog.

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Skwigly is a British site that has had a relatively long life. Originally, a blog that offered some excellent stories, they eventually closed it down. Just as suddenly, they’ve been reborn. David Smith is the editor and he mixes it up. The current site seems a little less vibrant than the original, but it’s still a must-visit. Sort of a British AWN (not quite as large albeit somewhat more organized) there are some fine posts on this site. An Arthur Christmas image from pencil drawing to finished cg background; An interview with animator, Alex Williams (The Lion King, Roger Rabbit, The Iron Giant); A story about Osamu Tezuka and even an article about the invention of the rotoscope by the Fleischers. My one complaint for the site is that they don’t have an easy “search” button. You have to go through each and every slow-loading page to find out what’s there.

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- Tomorrow will be the tenth anniversary of the September 11 terrorist attacks. Much has been made of it here, in New York, and I don’t know if there’s been as much attention given it outside of this city.

Just prior to the Obama “Jobs” speech, the television networks announced that there was “credible but unconfirmed” reports of another attack on NY on the anniversary. Shades of the Bush administration terror fears that were thrown at the public. In NY, we’d gotten a clue that something was up a few days earlier when police started showing up again at the subway entrances to go through the passenger backpacks. Why did they wait until just prior to the speech to make it public when they had the news two days earlier?

The odd thing about New Yorkers is that it really isn’t on our conscience. They can hurl the words at us as often as they do, but we just go on through our paces – getting through the days.

Sunday there will be some sort of celebration at the site of the World Trade Center. The papers have reported enough bickering between the government plans and the families of the victims. Will they read names? Won’t they read names? I really don’t know anymore, and I won’t be watching. I’ll be in my studio, maybe listening on the radio. More likely, I’ll be listening to the soundtrack of Mike Leigh’s Topsy Turvy.

And, yes, rain is expected on Sunday.

Bill Peckmann &Comic Art &Illustration 09 Sep 2011 07:18 am

Toth’s “Wings of Eagles” – 1

- Bill Peckman continues to delight with some of the brilliant artwork he scans for my site. It’s a pleasure to post it and study it. Here, we have the comic book version of The John Ford/John Wayne film, “Wings of Eagles.” Here’s what Bill wrote:

    Alex Toth‘s passion for aviation was only second to his love for art, so he must have welcomed and relished this assignment when it came in from Dell/Western Publishing. It was the comic book adaptation of the biopic movie “Wings Of Eagles” (1957). It also didn’t hurt that Alex was a big fan of the movie’s director, John Ford. Here’s hoping that the backlit computer screen will offset some of the printing press problems of those days of yore (It Does!) and make the pages look closer to what Toth had envisioned. The originals would have been an eyeful to see! Go to the Bruce Canwell and Dean Mullaney book, “Alex Toth, Genius Isolated” to see what Alex’s original Dell art work looked like before quite a bit of it was lost in the primitive pulp printing process.

    So here without further ado, is John Ford, John Wayne and Alex Toth’s “Wings Of Eagles”!


The Front Cover


Inner Front Cover

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One of the best pages in the book, too bad the colorist
miscolored the big double panel. The bg. color should have
been the deep blue sea, not the light blue sky.

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Bill Peckmann &Comic Art &Disney 08 Sep 2011 06:29 am

Luck of the North – Part 2

- Here we have the continuation of the great Carl Barks story, Luck of the North. Pt. 1 was featured here. We pick up where we left off.

But first here’s a painting Barks did inspired by the original comic cover:


Art appears in “The Art of Walt Disney’s Donald Duck by Carl Barks”.

Luck of the North
Bigmouth Donald tricks his cousin Gladstone into a wild-goose chase
after a fake treasure map. and then, conscience-stricken,
chases him down through the polar bear-infested Arctic.

(Dell’s Donald Duck Four Color #256, December, 1949; see page 48).
Barks turned the cover concept into a nightscape, studded with
stars and haloed by the northern lights.
“That’s where I had my trouble,” he comments,”
in that northern lights effect at the top.
I found pictures of northern lights in some
Geographics and I kind of stole some.”

An afterthought, and Barks adds,
“I find water very difficult to paint.
It’s hard work, but I worked at this until
I got it to look halfway authentic.”

Has he ever compromised on a story idea because
of its difficulty? “It may be that I had the sense
to do that once in a while, but I doubt it. I generally just
plunged right in on an idea whether I was going to have
trouble or not. I’d start out with a simple idea,
and keep on elaborating on it until I had a
real complex thing going.”

Though one of Barks’ most famous stories,
this is the only painting of it he did.


The original comic cover.

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To be continued.
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Animation &Animation Artifacts &Disney 07 Sep 2011 07:16 am

Thomas’ Mickey’s Tailor – recap


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- This is the brilliant scene by Frank Thomas from the excellent Mickey short, The Brave Little Tailor. This scene is one of the highlights of that film. This scene made me realize how great an animator was Frank Thomas. For too many years I took his work for granted; this scene changed it all for me. I had to reevaluate everything he’d done.

In its entirety the scene’s about 250 drawings long, a long one. Many thanks to my friend, Lou Scarborough, for the generous loan of his xeroxed copies.

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(Click any drawing to enlarge.)

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The following QT movie represents all 246 drawings of the scene.

Click left side of the black bar to play.
Right side to watch single frame.

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