Animation Artifacts &Articles on Animation &Disney &Illustration &John Canemaker &Story & Storyboards 29 Apr 2013 06:19 am
Sleeping Beauty Storyboard – seq 19
- John Canemaker had loaned me the final sequences of the storyboard to Sleeping Beauty, detailing the dragon fight and climax of the film. I originally posted this in three parts. I’ve combined them all here, making for one long post.
I’m not sure who did the artwork, but there’s a good chance it’s Ken Anderson‘s work.
As with past boards, I’ll post the whole photograph as is, then take it apart row by row so that you can enlarge them as much as possible. Here’s the storyboard sequence #19 from Sleeping Beauty.
The full board follows below:

(Click any image to enlarge.)
The breakdown of that full board follows:

Here’s the next full page of storyboard as is:

(Click any image on the page to enlarge.)
Again, I follow with the board broken up into segments, half a row at a time.

This is this photo of the next page of the board as it came to me:

(Click any image to enlarge.)____________
Here are the rows of the board broken into two so that I can post them a bit larger.


If only he knew what he was going to face next.
I’ve decided to get the frame grabs for the sequence and post them as well. I thought the comparison of board to actual film would be interesting.
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These images come from the “Special Edition” of the dvd, not the “Platinum Edition” now on the market. Using Hans Perk‘s posts of the drafts for these scenes, on his blog A Film LA, I was able to identify the animators’ names.

sc 82 (L) Milt Kahl – sc 82.1 (R) Frank Thomas
sc 82.2 (L) Kahl & Thomas – sc 82.3 (R) George Nicholas & Jerry Hathcock
sc 82.4 (L) Nicholas – sc 82.5 (R) Nicholas & Hathcock
Nicholas & Hathcock (L) sc 82.6
sc 84 (L) Ken Hultgren – sc 85 (R) Nicholas & Hathcock
sc 87 (L) Nicholas & Sibley – sc 88 (R) Nicholas & Hathcock
(L) Nicholas & Hathcock – sc 89.1 (R) Hultgren
sc 89 (L) Nicholas & Hathcock – sc 91 (R) Hathcock
sc 91 (L) Hathcock – sc 92 (R) SA sc 49 seq 8
sc 95 (L) Hathcock – sc 93 (R) Hathcock
sc 96 (L) Hathcock – sc 97 (R) Dan MacManus
(L) MacManus – sc 97.2 (R) Hathcock
sc 98 (L) Hathcock – sc 99 (R) Sibley
sc 100.1 (L) Hathcock – sc 101 (R) Les Clark & Fred Kopietz
sc 102 (L) Hultgren & Kopietz – sc 104 (R) Hathcock
sc 107 (L) Hathcock – sc 108 (R) Hultgren
(L) Hutlgren – sc 109 (R) Hathcock
sc 110 (L) Ollie Johnston & Blaine Gibson – sc 110.1 (R) Gibson
sc 110.2 (L) Johnston – sc 110.3 (R) Johnston & Gibson
sc 110.4 (L) Johnston – sc 111 (R) Johnston & Gibson
- Let’s end this post from Sleeping Beauty by posting a couple of drawings I have for the “Skumps” sequence. Again, Hans Perk on his blog A Film LA, posted the animator drafts for this sequence and I was able to I.D. the animators. (I have to say I guessed correctly in three out of four shots, so I’m pleased with myself.)
I’m posting closeups of the drawings. By clicking on any of them you’ll see the full sized animation paper. I’m also posting frame grabs beneath the drawings so you can see how they looked in the film.

This is a Milt Kahl scene, seq 13 sc 8. This drawing is undoubtedly a clean up,
so it’s not one of Kahl’s drawings – just his pose. It’s an extreme.
It is interesting that Kahl animated both characters.
This is a John Sibley ruff. Seq 13 sc 17.
It’s a very odd, uncoordinated dance number by the drunk lackey.
This is my favorite of these four. It’s a John Lounsbery ruff of King Stefan.
Another extreme from seq 13 sc 26.
This is also another beautiful ruff by John Lounsbery. It’s King Hubert in the
very last scene of seq 13, sc 57.
it comes just prior to Hubert’s turning and sitting on the palace steps.
on 29 Apr 2013 at 12:58 pm 1.Andrew said …
It’s amazing how much the storyboards match up with the actual sequence in the film though with occasional deviations. Everything is so thoroughly planned out. So do you or John Canemaker have the storyboards for the final part of the sequence?
on 29 Apr 2013 at 4:36 pm 2.Nat said …
This is amazing. The climatic battle at the castle with dragon was one of the highlights of Sleeping Beauty. Despite the film’s lackluster leads, I have always loved it due to its art direction, fun supporting characters (the fairies), and, of course, its menacing villain.
on 29 Apr 2013 at 6:04 pm 3.Floyd Norman said …
I believe it was 1958 when Ken Anderson pitched his storyboards to us one evening as we were working overtime on Sleeping Beauty.
It was exciting knowing we were seeing these boards even before Walt saw them. Ken Anderson was so open and generous even though we were a bunch of geeky kids. A far cry from the arrogant young jerks who would arrive at Disney in the seventies.