Animation &commercial animation &Illustration &John Canemaker 19 Sep 2013 01:05 am
John Canemaker’s Movies
John Canemaker has been making animated movies for ever. I know because we both started at about the same time. Somewhere in the late Seventies we exchanged our early films to get a look at what each other was doing when we were younger. Leslie was tuning out a lot of footage imitating sequences I’d sen in the movies: a couple of dogs (certainly not Lady or Tramp) eating lunch, a limited animation vizier climbing pillars in imitation of 1001 Arabian Knight not with Mr. Magoo.
John didn’t do much in the way of limited animation; he told me he wasn’t able to figure it out. My own work was definitively derivative. I’d redone the Flintstones opening – my own version. Gay Purr-ee led to my attempt at animating the impressionists. I saw something in a theater or on TV and would immediately immitate it. I did a lot of live action/animation combinations. I was fascinated by the modern work. Title sequences to Saul Bass’ films led to my versions. Once I’d seen UPA – the Gerald McBoing Boing Show, I did my own variant. There was a comedy album called The First Family.Vaughn Meador and other comedians impersonated the First family – the Kennedys – singing song parodies of the time. I did my parody of these sung-through albums that quickly lost synch. But you could see the effort that had been taken.
Whereas John worked only in 2D cel animation, I brought out lots of other wares. Clay was easy to animate and allowed me to turn out footage fast.
When we screened them for each other, we were both impressed even though we had to trade off the films and watch them privately. We both did great work; we both did horrible work. My father and brother-in-law constructed a multiplane set with about 16 levels of glass (easily 18″x24″) with about 8000 watts of light. I had my take on Fantasia to work out.
John’s early films – not those we’d shared with each other, but his more professional work – now have a DVD all their own, and I’d
like to talk about these pieces. The DVD, John Canemaker – Marching to a Different Toon will permanently act as a good sampling of one artist’s view of the world. It presents a multiplicity of styles with a wide range of subject matter.
Bottom’s Dream feels like a sketch out of Fantasia as we see a short piece derived from Shakespeare’s “Midsummer’s Night Dream.” Once Titania has turned Bottom into an ass there is a dance wherein he’s trying to escape from the curse. Composer, Ross Care brings Mendelsohn’s music to life as the film’s backdrop.
Confessions of a Star Dreamer features the actress, Diane Gardner, expressing the problems and joys of becoming an Actress. Confessions of a Comic did the same for an aspiring young stand-up comic. Several sequences froom some of the excellent documentaries are also incuded:Break the Silence: Kids Against Child Abuse (TV Movie documentary) (animator), 1988 You Don’t Have to Die (Documentary short), The World According to Garp’s animated seqeunces are also included.
I love the short Bridgehampton, which animates the beautiful garden John and his companion Joe Kennedy, hae developed over the years (see some photos of the actual garden here.) It’s a wonderful little spot on the earth and how joyful for John to make a film paying tribute to his own little bit of nature.
These films were all done just prior to John’s Oscar winning short, The Moon and the Son: An Imagined Conversation, which is featured on its own DVD.
This is a rare collection of shorts and one you’ll enjoy if you want to know more about the fame animation historian/animator.
