Michael Sporn Animation – Splog

- This is part 4 of 4 of the Rowland B. Wilson book, Whites of Their Eyes. You can find the other three parts here: Part 1, Part 2, Part 3.

The book was scanned and sent to me by Bill Peckmann, and, of course, he’s the one to thank for this great material from this 1962 book. Here are the final images from the book, and boy are they good.

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Bill Peckmann sent me the following note with the scans:

For all fans and friends of Rowland B. Wilson, I just want to give Suzanne Lemieux Wilson a big standing ‘O’ and a shout out of our appreciation for authoring the very soon to be released book ‘Rowland B. Wilson’s Trade Secrets, Notes On Cartooning & Animation‘. Without her diligence and heavy lifting of putting this book together, we would never have seen this wonderful collection of RBW art in print form, plus the added topper of actually finding out Rowland’s thoughts and reasoning that went into producing the art that we’ve come to know and love. Suzanne, again, many, many thanks!

Here’s a little photo trip down memory lane with Suzanne and Rowland.

(England 1973.)

England 1973

England 1974

Belgium 1974

Connecticut 1981

Moving Day 1982

California 1984

Whites of Their Eyes, Rowland Wilson‘s book (1962) which collects his early cartoons, is the subject of this and a couple of other recent posts. (Part 1 & Part 2)

Bill Peckmann has been kind enough to share some scans with us, and I’m ravenous enough to hurriedly post every scrap of Mr. Wilson’s work. I came into animation fully aware of his great work, which I’d often cut from many of the magazines in which they were published. I think I’d first met him, rather briefly, at my short stint inbetweening at Phil Kimmelman’s & Ass. I had little more than the opportunity of telling him how much I admired his work. I worked on a number of Schoolhouse Rock pieces (Lucky 7 etc.) that he’d designed. Later on, I got to know him a bit better through my association with Dick Williams. I also knew his daughter, Amanda, through animation circles at the time. She worked on Raggedy Ann, where I was a supervisor. My connection, in real life, was limited, but my appreciation for his work great. Here’s Part 3 of Whites of Their Eyes.

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Does it get any better than this cartoon?

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Here are some photos taken in 1970 at Focus Design Studios.
They are of some of the crew that produced and work on
Rowland’s early TV commercials, like Utica Club’s ‘Mountie’ beer spot.

This is Sid Horn, producer and Phil Kimmelman, director.

Dante Barbetta, Roger Mejia, Gerry Dvorak and Victor Barbetta.

Victor Barbetta

Bill Peckmann

from Bill Peckmann: I’m sticking this drawing on the end because
it was done about a year (1969), before the photos were taken.
It’s one you’ve posted already quite a few years ago, but
maybe this photostat might be of better quality?

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I’ve split the drawing up and used George Griffin’s notes to mark up and identify the people within the caricature and to make it a bit easier to read.

The Mountie ad starts at 3:31.

Another Rowland Wilson ad starts at 0:31.

- Several years ago, I’d posted Bill Peckmann‘s xeroxed copy of Rowland B. Wilson‘s 1962 book, Whites of Their Eyes.

Bill has now sent me new scans from the book, itself, and they’re worth posting in this better state. I hope you enjoy the diversity of Rowland’s style in the wide range of cartoons he’d done by 1962.

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In 1981, nestled in their idyllic abode in the cartoonist’s and
illustrator’s haven of Westport, CT., Rowland and Suzanne Wilson
had their own British invasion…

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…It was colleagues and friends of Rowland’s that he had
worked with previously at Richard Williams Studios in London.

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Following the visit to Rowland’s house, everybody dropped by
to see Row in his room at the PK&A Studios that he shared
with Bill Frake (Standing far left) and myself. Mark Mayerson (standing far right)

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The following pencil sketches are by RBW, from about the same
time period as the visit. They were done for ‘Tang’ commercials,
Rowland designed the characters and did the BG’s.

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- Bill Peckmann sent me a host of scans today of the book which collects the comic strip Buck O’Rue as drawn by Paul Murry and Dick Huemer. The book was written by Richard P. Huemer and Germund Von Wowern.

Paul Murry was noted for his work on Mickey Mouse comic book adventure stories. Here is a small sample of that work:

Here are two examples of Murry’s Mickey Mouse art,
a cover and the first page of the story.

. . . and if you go here you’ll find another post we had featuring more of his work.

Here are Bill’s comments:

The book collection of the comic strip ‘Buck O’Rue‘ was just released. The short lived strip was done by ‘moonlighting’ Disney greats Dick Huemer and Paul Murry back in the early 1950′s.

‘Buck’ would get a super duper glowing review from me if only I knew how to write a good one! So I’ll let the book speak for itself.

There are a couple of points about the book that I would like to mention. It is a heartfelt labor of love by the authors, Richard P. Huemer, Dick Huemer’s son and knowledgeable comic’s editor/historian Germund Von Wowern. The book is three hundred pages of great information, photos and of course, the strip itself, dailies and Sundays!

Here are the introductory pages:

Book Cover

Title Page

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Table of Contents

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Foreward by Don Peri

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Besides the collected daily and Sunday strips of ‘Buck’ in this huge 300 page book, there are also many wonderful pages with bio’s of, and art from Mr. Huemer and Mr. Murry.
Here are a few samples, and what treasures they are!

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Okay cowpokes and cowgals, it’s time to set the stage for adventures of ‘Buck’…

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…and introduce the cast of characters…

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And here’s a sample of the strip . . .

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A couple of years ago I’d posted some cartoons from Rowland B. Wilson‘s 1962 book, Whites of Their Eyes. (You can see two of them at: part 1 and part 2.) However these posts were from a xeroxed copy of the book and the quality was a bit shabby.

Bill Peckmann now has a copy of the book and has sent me new scans of these great cartoons. Bill writes:

It’s kind of hard to believe that this 1962 collection of Sat. Eve. Post, the New Yorker and Esquire gags are from the beginning, formative years of Row’s early career. He was only 32 years old when this book came out. Most of us would be happy to top off a career with this kind of exceptional work.

The book’s dustcover

The actual book’s embossed hard cover.

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Here is an upbeat ’1984′ happening. Two legends in their own time, Carl Barks and Rowland Wilson, got to meet each other for the first time in Carl’s home town of Grants Pass Oregon. It was definitely a mutual admiration society!

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left to right, Gare Barks, Rowland, Carl and Suzanne Lemieux Wilson.

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The Barkses were then kind enough to introduce us to their good friend,
cartoonist Russell (Broom-Hilda) Myers and his wife.

L. to r. Gare, Mrs. and Mr. Russ Myers, Carl, Suzanne and Rowland.

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L. to r. Bill Peckmann, Russ and wife, Carl, Suzanne and Rowland.

- From Vince Caferelli‘s collection, this week we jump to his years at Perpetual Motion Pictures. The first Berenstain Bears Special, Berenstain Bear’s Christmas Tree, was done for NBC in 1979 and was followed by another four. This was a very successful half hour made from the comic strip which was created by Stan and Jan Berenstain. They wrote the original TV special which was directed by Mordecai Gerstein, Animated by Vinnie Bell, Vincent Cafarelli, Jack Dazzo, Lu Guarnier, Jan Svochak and Fred Mogubgub.
The Asst. Director was Candy Kugel, and the Bgs were done by Linda Daurio and Cotty Kilbanks.

Here are the model sheets which were drawn by director, Mordi Gerstein, and animator, Jan Svochak, from original drawings by Stan Berenstain. These, for the most part, are original pencil drawings of those models.

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This ic a copy of a model digned by the Berenstains.

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This is the half-hour Special as it appears on YouTube.

The next four models come from a later show, “The Berenstain Bears’ Littlest Leaguer.”
All are original models signed by the Berenstains.

- A while back I posted a Jesse Marsh piece contributed by the indomitable Bill Peckmann from his wonderful collection of material. Now, just in time for the release of the new book on Marsh’s Tarzan strips, Tarzan: The Jesse Marsh Years – vol. 8, Bill has sent me a stash of new strip pages.

Here from ‘WD’s Christmas Parade’ No. 1, 1949, are the
illustrations Jesse Marsh did for the
text of the 4 page story, ‘So Dear To My Heart’.

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We’ve already posted the polar bear story from this 1957 Dell comic book ‘Walt Disney’s The Nature of things’. Here is the Prairie Dog story from that issue.

Cover of this 1957 magazine.

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In the 1960 Sunday New York Journal-American funny papers we find Jesse doing the strip ‘Walt Disney’s Treasury of Classic Tales,’ meaning Marsh was adapting Disney’s live action feature length films.

Unfortunately, this is not a complete collection but just a few of the strips to show what two of the adaptations looked like.

Just the series titles: TOBY TYLER and NIKKI, WILD DOG OF THE NORTH
is enough to send “Baby Boomers” like me into a nostalgia tail spin.

I remember reading this strip on Sundays in
the NY Journal American: Puck the Comic Weekly.

- I love getting these out of the blue emails from Bill Peckmann, followed by a flurry of great cartoon scans.

Here’s the latest and his comments prior to sending:

I just came across this 1979 book of mine, a collection of animal gags, all collected from past New Yorker cartoons, it has a bunch of our favorite cartoonists in it, Rowland B. (only 1 gag of his, but it’s a good one not seen before), 4 Peter Arno’s, 3 Whitney Darrow Jr.’s, 6 Charles Addams’, and of course the author/editors Gahan Wilson and George Booth, plus many more, all rib ticklers

With not one, but two legendary magazine gag cartoonists editing this 1979 collection of animal gags, what else can I say but enjoy!

Here’s a small portion of their pick of the litter.

The book’s Cover

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Many thanks to Bill Peckmann for the scans.

- Bill Peckmann has recently sent me some comic pages by Alex Toth, and I’ll let him introduce this post:

I thought that with the advent of Dean Mullaney and Bruce Canwell‘s second volume of their Alex Toth series, ‘Genius Illustrated‘ coming out later this year, that your readers might enjoy a few stories from that time period in Alex’s life that the book will cover.

All three of the short stories that I’m sending you are from DC Comics’ war titles from the early 1970′s.

Alex is firing on all cylinders in these three stories. Always learning his craft and searching to add to the esthetics of continuity art, lucky for us, it all seems to be culminating at this point in his life.

Just prior to each of the three comic stories, I’m posting a sheet of doodles that Alex Toth did, and Bill Peckmann saved. It’s a good way to separate the three war stories.

The first page of doodles. These three pages have
nothing to do with anything here. But they’re a
great example of a brilliant artist’s ramblings.

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Here is story 2 of 3. A short four page story but very powerfully done. Of special note, see how well the hands are executed to further the emotions of the characters, especially the very last panel.

This is the second page of doodles by Mr. Toth.
The guy could draw.

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Here in the third story of this post, Alex was able to combine his love for aviation and his fondness for 1940′s Hollywood movies that had a light touch. The writer of the story is Shelly Mayer, who as editor at DC Comics many years before, broke teenager Alex Toth into the comic book business.

The third and last of the doodle pages.
I hope they were, at least, interesting.

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Many thanks to Bill Peckmann. The rare comic stories aren’t enough, he spoils us with some private doodles by the master.

- A while back Tom Hachtman sent me a calendar illustrated by the sports cartoonist, Feg Murray.

Tom wrote: Here’s a “‘treasure’ I found in the basement today. They’re mildewed and have been through floods but they are still great art.”
Sorry I don’t have all twelve – there are golf lessons from Walter Hagen on the backs if you’re interested.”
The calendar dates back to 1930.

Not being the golfer, I wasn’t really interested in the lessons. Here are the extant calendar pages.

January

April

May

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July

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November

Here are some examples of the comic strips that Feg Murray had in syndication.
He was considered, primarily, a sports cartoonist, and this strip is a good example of what he did.

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He also had a strip called “Seeing Stars” which focused on celebrities.’

Finally, here’s a Christmas card he did while working through King Features Syndicate.